“Barbie” – Feminismus zwischen Kult, Kunst und Konsum
The hype surrounding Greta Gerwig’s “Barbie” has been big for months. Now the movie with Margot Robbie and Ryan Gosling as Barbie and Ken is lastly coming to theaters. Regardless of its particular aesthetics and a not unimportant message, in the long run there’s little that sticks.
Hardly any movie has forged such a protracted and pink shadow as “Barbie”. The explanation for this was not simply the viral images of Margot Robbie and Ryan Gosling, who, as Barbie and Ken, rollerbladed by the gang on Venice Seaside in neon-colored 80s garments.
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The truth that the cult doll delivered to life was speculated to be an icon for residing feminism additionally precipitated expectations of the movie to skyrocket.
However what can and may one anticipate from a manufacturing that, on the one hand, has a feminist filmmaker, Greta Gerwig, within the director’s chair and, alternatively, is financed by “Barbie” producer Mattel? The merchandise equipment had already been began upfront, and you may already chortle up your sleeves on the incoming gross sales. So how do this stuff go collectively?
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Barbie’s sobering journey into actuality
Barbie (Margot Robbie) lives her greatest life in peaceable and colourful Barbieland, the place all ladies are Barbies, maintain all jobs and all vital positions and the place all Kens are merely ornamental equipment. Ken (Ryan Gosling) can solely see the that means of his existence when his Barbie sees it.
With out her he’s nothing greater than a fairly nothing. In the future, nonetheless, the idyll of the genital-free inhabitants of this pink parallel world is severely disturbed.
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Abruptly Barbie’s heels contact the ground, her plastic toast is burnt, her imaginary milk has expired – and even demise penetrates her in any other case plush world of ideas, which is characterised by a nice vacancy. This damaging power has its origins in Barbie’s captain in the actual world and is now spilling over into the women’ paradise.
So she units off with Ken to actuality to seek out the annoyed proprietor of her doll and restore order, which causes much more chaos. As quickly as he arrives, Ken discovers some great benefits of patriarchy.
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Again in Barbieland, he naturally desires to use his findings instantly in order that he can lastly come out on high. Now it is as much as the Barbies to face as a united unit in opposition to the rebellious Kens.
Good gags, lukewarm messages
This considerably profound story with a feminist message is embedded in elaborate dance numbers and singing performances by which the peroxide-blonde Ryan Gosling is at his greatest.
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The weird backdrops and authentic costumes guarantee a particular and never-before-seen aesthetic. The superbly forged Margot Robbie sums up the doll-like nature of Barbie.
Sadly, for all its potential, the movie is only a sequence of entertaining results, tacky Hollywood moments, authentic gags and well-known male-female clichés. In some way the spark would not wish to leap out, so the impression by no means utterly disappears that you simply’re simply watching a two-hour Mattel promoting present that has plenty of good concepts to supply, however little else that is sustainable.
It would not assist that the boys within the Mattel govt suite are invariably portrayed as idiots to whom Barbie is much superior. It stays to be seen whether or not this swipe is meant to mock the financially robust shopper or just to make them appear extra likeable.
No hint of equality

Leaves probably the most lasting impression on the creator: Ryan Gosling’s six-pack.
(Foto: Warner Bros. Photos)
In fact you may have nice enjoyable with stereotypes, and Greta Gerwig, who beforehand directed nice movies like “Girl Chook” and “Little Girls”, definitely manages to not slip utterly into platitudes. However she will’t get by with out it. There’s the only mom and her rebellious teenage daughter, who discover one another once more by Barbie’s look.
Or the ghost of “Barbie” inventor Ruth Handler, who nonetheless haunts the Mattel home and has an vital message up his sleeve for the “youngster” Barbie.
Issues get notably troublesome in relation to the difficulty of equality. The lads in Barbieland have even much less to report earlier than and after their revolt than the ladies in our world. There may be completely no query of equality, which is definitely what we must always try for.
And so that you ask your self fairly early on precisely the place Gerwig and Mattel wish to go together with this movie. After 115 minutes, chances are you’ll come to the conclusion that though you have been largely entertained, the principle factor was to convey “Barbie” slow-selling gadgets and newly produced merch gadgets to the individuals. Sadly, it would not reside as much as the hype that the movie generated upfront. Greater than a bit of fine summer season cheer and a “Feminism for Dummies” lesson will not stick.
Besides after all the image of platinum blonde Ryan Gosling with six pack abs. However that is one other matter.
“Barbie” is in cinemas from July twentieth.